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After their formation in 1968 and the release of their first album in January of 1969, Led Zeppelin were fast becoming a powerhouse of a band. The group had started their first US tour at the end of 1968 and were traveling heavily. The arrival of a new venue in Toronto called The Rockpile in 1968 coincided well with planning and the venues status as an old masonic temple fitted the bands aesthetic perfectly.

Ritchie Yorke was living in Canada at the time, working for the Toronto Telegram as their resident rock reviewer as well as The Globe and Mail. After being showed the first Zeppelin album, Ritchie had written an early review for the band, predicting the groups success, in contrast to numerous negative reviews by other music writers of the time.

This championing of Zeppelin allowed Ritchie to become friends with the band and opened several opportunities, including the chance to MC and introduce the band at the February Rockpile show.

A review of the show soon appeared in The Globe and Mail where Ritchie again sang high praise of the concert, claiming fans “expected a lot and few were disappointed. Considering the group was only formed a few months back, it’s remarkably tight and together.” The show was evidently a great success for all involved as the band returned to The Rockpile in August. A recording of the concert, with Ritchie’s introduction still exists on Youtube.

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After a couple of weeks in London seeing the sights and attending numerous meetings with labels, press and managers, Normie Rowe was ready for the studio. On September 16, a morning rehearsal was held at the producer’s office, a big T-Bone steak was consumed for a morale boost and then Normie was headed for Decca Studios in Hampstead.

Upon reaching the studio, the first sight surprised everyone, more than two dozen people crammed into the studio to work on a hit record for Normie. Five tracks were cut on the day, the first being “Mary, Mary”, a track composed by Mickey Keen and Robin Shaw. Both Normie and Ritchie were unsatisfied with parts of the lyrics, and so Ritchie did some re-arranging. Throughout the London recording stints a number of session musicians were used as the backing band, including John Paul Jones.

The other four songs recorded were “Turn On Your Lovelight,” “Ooh La La,” “Ain’t Nobody Home,” and “I Can Do Without Your Love.” Eventually it was decided “Ain’t Nobody Home” and “Ooh La La” would be the first internationally produced single for Normie. Released in November of 1966, the single sold well in Australia, making it to top 5 charts around the country. Australia had been using various top charts that varied from city to city until Go-Set Magazine produced a nationwide top 40 chart at which Normie’s single debuted at #6 before reaching #1 within a few weeks, giving Normie his first official national #1 hit.

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In early 1966, Ritchie Yorke had the itch to travel. He approached the management of one of Australia’s top pop stars, Normie Rowe, with a plan to launch his international career. The label liked the plan and jumped on board, giving Ritchie the job of International Operations Manager at Sunshine Records.

The Daily Telegraph quoted Ritchie as saying that “I feel the right thing for Normie is to be in the right place at the right time. The right place at the moment is Europe.” By the 21st of May, Ritchie had arrived in London and began to set up meetings with television agencies and record labels.

So on the 31st of August, Normie Rowe flew out from Sydney bound for London with the intention of a 3 month concert tour, as well as the recording of new material and promotional television and radio appearances. Ritchie met him at the airport and the two began their campaign.

Normie landed in London on September 1st and spent his first two days settling in and seeing the sights. On his first day in town he traveled to the Serpentine in Hyde Park for a swim, although after feeling the water his mind was changed. The next day was much busier, spent shopping at the famous Carnaby Street boutiques, visiting landmarks like Trafalgar Square as well as meetings with Polydor executives, his agent Eddie Jarrett and Kim Fowley. He also performed two press interviews and went on a tour of London clubs, dances and discotheque which continued well into the early morning. Normie now had the lay of the land and was really ready to get to work.

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TODAY MARKS A SAD DAY FOR MUSIC PUBLICATION, AS THE WEEKLY NEW MUSICAL EXPRESS MAGAZINE CLOSES IT’S DOORS

The paper was established in 1952 after London music promoter Maurice Kinn bought the “Accordion Times and Musical Express” for just £1,000, 15 minutes before it was due to officially close. It was soon relaunched as the New Musical Express and printed on a non-glossy, standard newsprint format. The NME took inspiration from US magazine Billboard and launched the first UK Singles Chart.

During the 1960’s, the NME went on to champion popular British bands like The Beatles and The Rolling Stones. By the 1970’s, the magazine was struggling against it’s primary competition, The Melody Maker. They were forced to adapt quickly or close. Underground writers were hired and a more serious coverage of music was added, alongside the rise of glam-rock and then punk. This succeeded, returning the NME to the top spot in UK music journalism, where it remained for the 80’s and 90’s.

From 1998, the format was changed to a glossy tabloid print, in full colour. It remained in this format until 2015, when it was announced the publication would become free. The magazine was applauded for this decision, receiving awards in 2016, with statements claiming the NME had “bounced back from an uncertain future and established itself confidently and creatively in a new market.” Sadly, it appears this didn’t last as the magazine announces it’s permanent closure today, claiming the print was no longer financially viable. NME will continue publishing material online, and is reportedly investigating new possibilities and potential new digital services.

Ritchie Yorke himself contributed a number of features to the NME throughout his career, including responses to major moments in music history, like the Kent State shootings and the rise of Led Zeppelin.

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THIS WEEK HAS BEEN AN EXCITING ONE FOR LED ZEPPELIN’S FANS, AS DRUMMER JOHN BONHAM’S CUSTOM 1915 FORD MODEL T HOT-ROD WENT ON SALE ON EBAY

The car was originally built in California in 1970 by Andy Brizio, who’s “Andy’s” decals remain on the car. Bonzo bought the car in the early 1970’s from Brizio and immediately shipped it back to the UK for the extravagant cost of around $5000 ($25,000 in today’s currency). The car appeared in Led Zeppelin’s 1976 film, “The Song Remains the Same” during Bonham’s drag racing sequence, cementing it’s place in rock and roll history.

The car was also host to a number of high profile rumours, including a story involving Keith Moon of The Who driving it into a swimming pool, or Hank Williams, who apparently passed away in it’s backseat. Unfortunately, these rumours are simply myth and have never been confirmed, and the car’s condition doesn’t seem to verify them.

Bonham was a renowned petrolhead with a number of high performance vehicles in his collection, and the Model T was no exception, boasting a 6 litre V8 engine. The car stayed in this collection until many years after Bonham’s death when it was acquired in a trade by a man who kept the car in storage for around 11 years (the car was not driven in this time, the owner was far too fearful to take it out on the road) and then sold to company Mid-West Performance UK who are now organising the eBay sale, available here. Collectors looking to add the hot rod to their collection better be prepared with deep pockets, as it’s current listing is sitting at £250,000, and museums are among the prioritised buyers. 

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ON THIS DAY IN 2013, ONE OF BOB DYLAN’S GUITARS WENT TO AUCTION IN NEW YORK

The guitar in question, a Fender Stratocaster with sunburst colouring sold for a record-breaking $965,000, beating out the previous record, a 1950’s Strat called “Blackie”, owned by Eric Clapton which sold for $959,500 in 2004.

Dylan’s guitar was a controversial item. First unveiled at the Newport Folk Festival in 1965, the set became iconic, though many diehard folk fans booed Dylan, viewing the electric guitar as a sell out, and Dylan a traitor. Regardless, the set went down in history and Dylan was recognised as the artist to change the face of folk music.

The guitar itself had been kept by a Jersey family for nearly 50 years after Dylan left it on a private plane. They had estimated the value at around $400,000 and were pleasantly surprised when it sold for nearly a million. Early drafts of some of Dylan’s early tunes were discovered in the case, with an estimated value of up to $30,000.

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TODAY MARKS AN IMPORTANT DAY IN ONE OF THE MOST HISTORICAL SITES IN POPULAR MUSIC HISTORY – ABBEY ROAD STUDIOS

Immortalised by the Beatles album of the same name, the building received a Grade 2 heritage listing in 2010, marking it as an important building that can no longer be altered due to it’s historical value. At the same time as the building received this listing, the original owners, EMI, who had established the studio in 1931 put the building up for sale due to increasing debts, prompting numerous campaigns and protests to save the building. Despite the buildings heritage listing, the white wall out the front is always covered in graffiti with references to the Beatles and their legacy and has to be painted over every 3 months.

The studio itself has seen a remarkable number of huge musical moments, including recording of albums by earlier acts such as The Beatles, Pink Floyd and Duran Duran, all the way through to huge modern recording stars like Adele, Radiohead and Frank Ocean. Interestingly, just a couple of years after the iconic Beatles album in 1969, also on February 23rd, but in 1971, John Lennon’s evidence was presented in court in the form of an affidavit detailing the groups split, and alleging that Apple Records had been full of lazy “hustlers” and “scroungers”, as well as the enormous tension between members of the band.

A number of important film scores were also recorded at Abbey Road, such as four of the Star Wars films and all three of the Lord of the Rings Trilogy, as well as a number of Apple commercials.

Later in the same year, the famed and much-parodied crossing that made the cover of the Beatles album, Abbey Road, was also granted a Grade 2 listing, the first time a road crossing had ever received the heritage listing. Using the crossing as the cover of the album was the idea of a good friend of Ritchie’s and fantastic artist, John Kosh. Also credited as the albums creative director and with much of the design of the War Is Over! campaign, he went on to design a number of albums for The Beatles, as well as other renowned artists like The Eagles, The Who and Carole King. He also helped Ritchie out by designing the original cover for his 1976 Led Zeppelin biography. He currently resides in Los Angeles and continues work on his art and design which can be viewed via his Facebook page “Kosh”.

Today, the site of Abbey Road stands as the most iconic and well-recognised location in the history of the Beatles, visited by dozens of fans everyday and the attached studio continues to make remarkable contributions to the history of popular music.

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ON THIS DAY IN 2008, THE WORLD MOURNED THE LOSS OF ONE OF ROCK ’N’ ROLL’S ORIGINAL GREATS, BO DIDDLEY

Real name Ellas McDaniel, Diddley played a key role in the transition from blues to rock and roll, simultaneously inspiring many other major artists like Elvis Presley, The Beatles and The Clash.

Bo Diddley had suffered from an extensive list of health ailments, including diabetes, hypertension and strokes, and his death from a heart failure at his home in Gainesville, Florida on June 2, 2008 was not unexpected. More than 35 family members gathered to say goodbye to the musician, and they sang to him as he passed.

His funeral was held on June 7 and drew a significant crowd, who chanted along with the music. After the service, a concert was held in his name and in the days the followed, tributes were received from then president George Bush as well as from many musicians, such as Ronnie Hawkins, Mick Jagger, Eric Clapton, Robert Plant, Elvis Costello and Eric Burdon. He was also posthumously inducted into the Florida Artists Hall of Fame, awarded a Honorary Doctor of Fine Arts degree and most recently was added to the Rhythm and Blues Music Hall of Fame.

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ON THIS DAY IN 2008, THE FIRST ANNUAL RECORD STORE DAY WAS HELD

Record Store Day was created to celebrate the importance of independent record stores around the world, and to boost their sales in an overwhelmingly digital world, and each store organises their own events and parties, further highlighting their individuality. A number of special releases are organised each year from a number of acclaimed artists, rereleases, boxsets and unreleased recordings are a common theme.

The first Record Store Day was supported by Metallica, and was an unprecedented success. Over 300 stores throughout the US took part and ensured the event was a success and would be repeated throughout other countries. By the second year, Record Store Day had participants in the UK, Germany, the Netherlands, Australia, Japan, Canada and Italy.

Today, the event is celebrated by an unknown number of stores around the world, and is eagerly awaited by vinyl aficionados each year. This year’s Record Store Day takes place on Saturday, April 21st and will feature over 500 vinyl releases, including Boz Scaggs, Brian Eno, The Cure, Cypress Hill, Elton John, Fleetwood Mac and many more.

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ON THIS DAY IN 2002, LIVERPOOL AIRPORT UNVEILED A NEW RENOVATION HONOURING JOHN LENNON

The airport itself was renamed to the Liverpool John Lennon International airport on the same day out of respect for the renowned musician, alongside an expansion to the airports grounds. The centrepiece, a seven-foot bronze statue of Lennon strident in his trademark glasses, a t-shirt and casual suit, was unveiled by Yoko Ono and Prime Minister Tony Blair’s wife Cherie. The statue was sculpted by Tom Murphy, and is considered one of his best works. Yoko said of his work “It’s brilliant. I think it captures John and shows him, moving, alive rather than standing still.”

Yoko went on to speak on the importance of the monument, claiming “The world needs communication and this Liverpool John Lennon Airport will promote the growth of international communication for Liverpool and for the world. Communication and exchanging will lead to understanding and understanding will create love and peace. And the world needs peace.”

The statue remains in place at the check-in hall, where it is admired by thousands every day. An inscription on the statue reads, “Above Us Only Sky”, a popular lyric from Lennon’s peace anthem “Imagine”.

CHRIST YOU KNOW IT AIN’T EASY
JOHN AND YOKO’S BATTLE FOR PEACE

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